Spring Flowers layout for a Corner Lot

Photorealistic evening photograph of a two-story suburban house on a corner lot, 60 ft of street frontage with a 25 ft front setback, photographed from the street intersection at a 45 degree diagonal angle so that both the front face and the side face of the house are visible in the same frame, camera height 5.5 ft. The yard is decorated in a spring flowers theme. Tulips and daffodils at five times life size, in a drift rather than a row. It goes up in March and still looks right in May, which no other spring theme manages. Decorations, in position: 1. The star: six oversized metal tulips on tall stems in mixed colors, planted in a drift, 3.5 ft tall. Dead center on the front walk, 8 to 10 ft back from the porch steps. Pick something with actual sides to it, not a flat cutout. One of your two streets is going to be looking at the back of this. 2. Sidekick, left: six oversized pastel eggs on stakes in different colors and patterns, scattered at different heights, 1.5 ft tall. Left of the walk, 5 ft out from the edge. Keep it under about 60 percent of the centerpiece height. 3. Sidekick, right: a long string of pastel fabric triangles swagged along a porch rail, moving in the wind, 0.8 ft tall. Right of the walk, mirroring the left one. Same distance out, same height. 4. Path and perimeter lights: 2 of them, a line of short stake lights glowing softly along the edge of a walkway, no cords running between them, 1.3 ft tall. Both edges of the front walk, then keep the line going along the side yard. Do not stop at the corner of the house. This run is the thing that ties your two street faces together. 5. The corner moment: eight pastel pinwheels spinning at different speeds in a loose group, 2 ft tall. Set back 6 to 8 ft from the actual corner point, and keep it low. Most cities cap how tall anything can be right there so drivers can see through the intersection. Look yours up before you buy something for this spot. 6. Roofline and porch: 2 of them, a dense run of tiny warm white bulbs following a roofline, close enough together to look like a continuous line of light, 0.2 ft tall. One continuous run along both street-facing rooflines. Skipping the side roofline is the number one corner-lot regret. 7. Side yard scene: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. The one theme here where the arch is doing its actual day job, which is the trap: every photograph on the box is a symmetrical wedding arch and this theme is a drift, not a row. Wire the big blooms up ONE leg and across about a third of the crown, then stop. Flowered evenly all the way round it is a wedding; flowered up one side it is a plant that got out of hand, which is the theme. Heavy stems tie to the legs where the load goes into the ground, never to the crown. Put it where the drift is thickest so it looks like the middle of the planting rather than a separate object standing in grass. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #8FBF8F, #E8A0B8, #F2D65A, #A8C8E4. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.