Eggs, Eggs Everywhere layout for a Corner Lot

Photorealistic evening photograph of a two-story suburban house on a corner lot, 60 ft of street frontage with a 25 ft front setback, photographed from the street intersection at a 45 degree diagonal angle so that both the front face and the side face of the house are visible in the same frame, camera height 5.5 ft. The yard is decorated in a eggs, eggs everywhere theme. Eggs at every size the yard will take, in every pastel there is, stacked and scattered and hung off anything that will hold one. Almost none of it needs power. Decorations, in position: 1. The star: three big pastel eggs balanced into a leaning stack, each a different pattern, 3 ft tall. Dead center on the front walk, 8 to 10 ft back from the porch steps. Pick something with actual sides to it, not a flat cutout. One of your two streets is going to be looking at the back of this. 2. Sidekick, left: six oversized pastel eggs on stakes in different colors and patterns, scattered at different heights, 1.5 ft tall. Left of the walk, 5 ft out from the edge. Keep it under about 60 percent of the centerpiece height. 3. Sidekick, right: a long string of pastel fabric triangles swagged along a porch rail, moving in the wind, 0.8 ft tall. Right of the walk, mirroring the left one. Same distance out, same height. 4. Path and perimeter lights: 2 of them, a line of short stake lights glowing softly along the edge of a walkway, no cords running between them, 1.3 ft tall. Both edges of the front walk, then keep the line going along the side yard. Do not stop at the corner of the house. This run is the thing that ties your two street faces together. 5. The corner moment: eight pastel pinwheels spinning at different speeds in a loose group, 2 ft tall. Set back 6 to 8 ft from the actual corner point, and keep it low. Most cities cap how tall anything can be right there so drivers can see through the intersection. Look yours up before you buy something for this spot. 6. Roofline and porch: 2 of them, a dense run of tiny warm white bulbs following a roofline, close enough together to look like a continuous line of light, 0.2 ft tall. One continuous run along both street-facing rooflines. Skipping the side roofline is the number one corner-lot regret. 7. Side yard scene: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. The theme says eggs get hung off anything that will hold one, and this is the only thing in the yard that will. Hang them at wildly different drops, from two inches to two feet, so they sit at different heights: a row all at the same length reads as bunting. Plastic eggs weigh almost nothing so the twenty pound crown limit is not in play here, which makes this the one theme that can properly load the top. Keep the lowest egg above head height. Fishing line rather than ribbon, because ribbon goes limp and gray after one wet night and fishing line disappears, so the eggs look like they are floating. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #F6D8A8, #A8C8E4, #E8A0B8, #8FBF8F. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.