Spring Flowers layout for a Wide Shallow, No Porch

Photorealistic evening photograph of a single-story brick ranch house on a wide shallow, no porch, 75 ft of street frontage with a 18 ft front setback, photographed from the street directly in front of the house, far enough back that the entire wide facade and the driveway are both in frame, camera height 5.5 ft. The yard is decorated in a spring flowers theme. Tulips and daffodils at five times life size, in a drift rather than a row. It goes up in March and still looks right in May, which no other spring theme manages. Decorations, in position: 1. The star: six oversized metal tulips on tall stems in mixed colors, planted in a drift, 3.5 ft tall. Centered on the front door, 8 ft out. Without a porch to anchor to, this piece is the only thing telling people where the entrance is. 2. Sidekick, left: six oversized pastel eggs on stakes in different colors and patterns, scattered at different heights, 1.5 ft tall. Left of the door, 10 to 12 ft out from the centerpiece. Push these further apart than feels right. A wide facade eats the gap. 3. Sidekick, right: a long string of pastel fabric triangles swagged along a porch rail, moving in the wind, 0.8 ft tall. Right of the door, mirroring the left. Keep it clear of where a car door swings open. 4. Walk and bed edge lights: a line of short stake lights glowing softly along the edge of a walkway, no cords running between them, 1.3 ft tall. Along the short connector from the driveway to the door, then following the front bed. The walk is stubby here, so borrow the bed line to make the run long enough to matter. 5. Roofline: 2 of them, a dense run of tiny warm white bulbs following a roofline, close enough together to look like a continuous line of light, 0.2 ft tall. The full run, gutter line and both gable rakes. This is the single biggest thing you can do to a wide flat house, and it is the one people skip because it means getting the ladder out. 6. Past the driveway: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. The one theme here where the arch is doing its actual day job, which is the trap: every photograph on the box is a symmetrical wedding arch and this theme is a drift, not a row. Wire the big blooms up ONE leg and across about a third of the crown, then stop. Flowered evenly all the way round it is a wedding; flowered up one side it is a plant that got out of hand, which is the theme. Heavy stems tie to the legs where the load goes into the ground, never to the crown. Put it where the drift is thickest so it looks like the middle of the planting rather than a separate object standing in grass. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #8FBF8F, #E8A0B8, #F2D65A, #A8C8E4. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.