Lace Valentine's Day layout for a Corner Lot

Photorealistic evening photograph of a two-story suburban house on a corner lot, 60 ft of street frontage with a 25 ft front setback, photographed from the street intersection at a 45 degree diagonal angle so that both the front face and the side face of the house are visible in the same frame, camera height 5.5 ft. The yard is decorated in a lace valentine's day theme. Cut-lace panels, white lanterns and warm light coming through patterned edges. The quiet, grown-up end of Valentine's Day, and the only version of it that still looks right on a February morning with nothing switched on. Decorations, in position: 1. The star: a white cut-lace heart panel like an enormous paper doily on a stand, 3 ft tall. Dead center on the front walk, 8 to 10 ft back from the porch steps. Pick something with actual sides to it, not a flat cutout. One of your two streets is going to be looking at the back of this. 2. Sidekick, left: six flat hearts on stakes at staggered heights, outlined in warm red light, 1.5 ft tall. Left of the walk, 5 ft out from the edge. Keep it under about 60 percent of the centerpiece height. 3. Sidekick, right: a heart-shaped wreath of red and white blooms with light woven through it, 2 ft tall. Right of the walk, mirroring the left one. Same distance out, same height. 4. Path and perimeter lights: 2 of them, a line of short stakes glowing soft pink along the edges of a walkway, 1.3 ft tall. Both edges of the front walk, then keep the line going along the side yard. Do not stop at the corner of the house. This run is the thing that ties your two street faces together. 5. The corner moment: four flat pink and red hearts on short stakes clustered low in the grass, 1.7 ft tall. Set back 6 to 8 ft from the actual corner point, and keep it low. Most cities cap how tall anything can be right there so drivers can see through the intersection. Look yours up before you buy something for this spot. 6. Roofline and porch: 2 of them, a dense run of tiny pink bulbs along a roofline, soft rather than hot, 0.2 ft tall. One continuous run along both street-facing rooflines. Skipping the side roofline is the number one corner-lot regret. 7. Side yard scene: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. Lace panels down both legs and nothing on the crown, then one warm light on the ground BEHIND it aimed back towards the road. This theme is light coming through a pattern, and the arch is the only thing in the yard that can hold a pattern up at eye level with air behind it: everything else is flat against something. Lit from the front you see fabric, lit from behind you see the cut. Weight the bottom hem of each panel with a rod or a line of washers, or the first breeze wraps it round the leg and it stays there. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #F2E8E4, #D2506B, #FFFFFF, #C9A227. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.