Spring Flowers layout for a Circular Driveway

Photorealistic evening photograph of a two-story traditional with a columned entry house on a circular driveway, 90 ft of street frontage with a 45 ft front setback, photographed from the street at the mouth of the circular driveway, looking across the loop and its center island toward the front of the house, camera height 5.5 ft. The yard is decorated in a spring flowers theme. Tulips and daffodils at five times life size, in a drift rather than a row. It goes up in March and still looks right in May, which no other spring theme manages. Decorations, in position: 1. The island: six oversized metal tulips on tall stems in mixed colors, planted in a drift, 3.5 ft tall. Dead center of the island. This is the best spot on any lot shape, because it is the only place a decoration gets looked at from all the way around. Give it a base or a stake plan that survives being walked past on every side. 2. Sidekick, left: six oversized pastel eggs on stakes in different colors and patterns, scattered at different heights, 1.5 ft tall. In the bed between the sidewalk and the house, left of the door. These frame the entry and not the island, so measure from the door and ignore the loop. 3. Sidekick, right: a long string of pastel fabric triangles swagged along a porch rail, moving in the wind, 0.8 ft tall. Same bed, right of the door, matching the left. 4. The loop lights: 2 of them, a line of short stake lights glowing softly along the edge of a walkway, no cords running between them, 1.3 ft tall. The outer edge of the front arc only, from one entrance around to the other. Set them back 2 ft from the sidewalk. Anything closer gets clipped by a tire the first time somebody swings wide. 5. Roofline and porch: 2 of them, a dense run of tiny warm white bulbs following a roofline, close enough together to look like a continuous line of light, 0.2 ft tall. Full gutter line plus the porch columns. The loop pulls people closer to the house than a normal walk does, so the porch detail actually gets seen here. 6. The outside curve: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. The one theme here where the arch is doing its actual day job, which is the trap: every photograph on the box is a symmetrical wedding arch and this theme is a drift, not a row. Wire the big blooms up ONE leg and across about a third of the crown, then stop. Flowered evenly all the way round it is a wedding; flowered up one side it is a plant that got out of hand, which is the theme. Heavy stems tie to the legs where the load goes into the ground, never to the crown. Put it where the drift is thickest so it looks like the middle of the planting rather than a separate object standing in grass. This one works just as well mirrored to the other side of the walk, so if a tree, a slope or the way you come and go says the far side is better, swap it and swap its partner with it. What matters is that it is beside the path and not standing in it. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #8FBF8F, #E8A0B8, #F2D65A, #A8C8E4. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.