Santa's Workshop layout for a Corner Lot

Photorealistic evening photograph of a two-story suburban house on a corner lot, 60 ft of street frontage with a 25 ft front setback, photographed from the street intersection at a 45 degree diagonal angle so that both the front face and the side face of the house are visible in the same frame, camera height 5.5 ft. The yard is decorated in a santa's workshop theme. Busy rather than grand. Elves mid-job, a sack of parcels put down on the grass and a workshop with the lights on, so the yard looks like somewhere work is happening rather than somewhere things were arranged. Decorations, in position: 1. The star: a cluster of oversized red-and-white spiral peppermint candy discs on stakes at staggered heights, angled toward the street, 3 ft tall. Dead center on the front walk, 8 to 10 ft back from the porch steps. Pick something with actual sides to it, not a flat cutout. One of your two streets is going to be looking at the back of this. 2. Sidekick, left: a squat black lantern with thick glass sides and a flickering candle flame inside, sitting on the ground beside a step, 0.9 ft tall. Left of the walk, 5 ft out from the edge. Keep it under about 60 percent of the centerpiece height. 3. Sidekick, right: 2 of them, a low run of white wooden pickets pushed into the lawn, knee height, suggesting an edge rather than closing anything in, 1.5 ft tall. Right of the walk, mirroring the left one. Same distance out, same height. 4. Path and perimeter lights: 2 of them, a line of short stake lights glowing softly along the edge of a walkway, no cords running between them, 1.3 ft tall. Both edges of the front walk, then keep the line going along the side yard. Do not stop at the corner of the house. This run is the thing that ties your two street faces together. 5. The corner moment: a row of glowing red and white striped candy canes staked along a path at knee height, 1.8 ft tall. Set back 6 to 8 ft from the actual corner point, and keep it low. Most cities cap how tall anything can be right there so drivers can see through the intersection. Look yours up before you buy something for this spot. 6. Roofline and porch: 2 of them, a dense run of tiny warm white bulbs following a roofline, close enough together to look like a continuous line of light, 0.2 ft tall. One continuous run along both street-facing rooflines. Skipping the side roofline is the number one corner-lot regret. 7. Side yard scene: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. This is the workshop door, so it wants to look used rather than dressed. Garland down both legs, a working light over the crown rather than a decorative one, and then one thing that says the job is still going on: a length of ribbon trailing off it, a sack leaning against a leg, two or three parcels stacked underneath. The trick in this theme is that everything looks put down rather than arranged, and a perfectly finished arch undoes that everywhere else. Site it beside whatever the workshop piece is rather than out at the road. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #C0392B, #2F6E52, #E8B14A, #F2EDD8. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.