Witch's Brew layout for a Corner Lot

Photorealistic evening photograph of a two-story suburban house on a corner lot, 60 ft of street frontage with a 25 ft front setback, photographed from the street intersection at a 45 degree diagonal angle so that both the front face and the side face of the house are visible in the same frame, camera height 5.5 ft. The yard is decorated in a witch's brew theme. A cauldron going hard, hats hanging in the air and green light coming up out of the ground. It is a scene rather than a scatter of props, so it wants a yard with one spot you can build everything around. Decorations, in position: 1. The star: a black iron tripod standing chest high with a cauldron hanging under it, green eyes glinting inside the pot and cobweb caught across the legs, 4.5 ft tall. It stands chest high, so give it sky behind it rather than a hedge. A tripod silhouetted against the house reads from the sidewalk; the same tripod in front of a shrub disappears. The green eyes in the pot are a detail and not a light source, so put a stake in the grass angled up through the legs and let that do the lighting. The legs spread wider than the pot, so keep it a good foot off any path edge. 2. Sidekick, left: three pointed black witch hats on stakes at knee height, each lit from inside with warm white, 1.9 ft tall. These stake into the ground rather than hang. Space them unevenly along one side of the walk and use whatever slope you have, so no two sit at the same height. Three hats evenly spaced on level ground stop being a coven and start being runway markers. 3. Sidekick, right: two carved pumpkins glowing orange from inside on short stakes, one either side of a step, 1 ft tall. Right of the walk, mirroring the left one. Same distance out, same height. 4. Path and perimeter lights: 2 of them, a line of short stakes throwing sickly green light up the edges of a path, the color of something radioactive rather than something growing, 1.3 ft tall. Both edges of the front walk, then keep the line going along the side yard. Do not stop at the corner of the house. This run is the thing that ties your two street faces together. 5. Roofline and porch: 2 of them, a dense run of small orange bulbs following a roofline, warm and slightly sickly rather than festive, 0.2 ft tall. One continuous run along both street-facing rooflines. Skipping the side roofline is the number one corner-lot regret. 6. Side yard scene: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. Over the walk, and dress it with bare twisted branches down both legs rather than anything bought: this theme is a clearing in a wood, not a party. Then hang from the crown, because that is what the arch is for. A lighted hat suspended over the path at head height does what a hat on a stake in the grass cannot, which is float. Tie it by the point so it hangs nose down and can turn in the wind. Keep everything above 6 ft 6 in. and keep the middle of the opening clear. Green light from the far side, aimed back at the road through the arch, so people approaching see the branches in silhouette against it. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #5B3A7A, #3FA34D, #1C1A22, #D6A419. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.