Witch's Brew layout for a Circular Driveway

Photorealistic evening photograph of a two-story traditional with a columned entry house on a circular driveway, 90 ft of street frontage with a 45 ft front setback, photographed from the street at the mouth of the circular driveway, looking across the loop and its center island toward the front of the house, camera height 5.5 ft. The yard is decorated in a witch's brew theme. A cauldron going hard, hats hanging in the air and green light coming up out of the ground. It is a scene rather than a scatter of props, so it wants a yard with one spot you can build everything around. Decorations, in position: 1. The island: a black iron tripod standing chest high with a cauldron hanging under it, green eyes glinting inside the pot and cobweb caught across the legs, 4.5 ft tall. It stands chest high, so give it sky behind it rather than a hedge. A tripod silhouetted against the house reads from the sidewalk; the same tripod in front of a shrub disappears. The green eyes in the pot are a detail and not a light source, so put a stake in the grass angled up through the legs and let that do the lighting. The legs spread wider than the pot, so keep it a good foot off any path edge. 2. Sidekick, left: three pointed black witch hats on stakes at knee height, each lit from inside with warm white, 1.9 ft tall. These stake into the ground rather than hang. Space them unevenly along one side of the walk and use whatever slope you have, so no two sit at the same height. Three hats evenly spaced on level ground stop being a coven and start being runway markers. 3. Sidekick, right: two carved pumpkins glowing orange from inside on short stakes, one either side of a step, 1 ft tall. Same bed, right of the door, matching the left. 4. The loop lights: 2 of them, a line of short stakes throwing sickly green light up the edges of a path, the color of something radioactive rather than something growing, 1.3 ft tall. The outer edge of the front arc only, from one entrance around to the other. Set them back 2 ft from the sidewalk. Anything closer gets clipped by a tire the first time somebody swings wide. 5. Roofline and porch: 2 of them, a dense run of small orange bulbs following a roofline, warm and slightly sickly rather than festive, 0.2 ft tall. Full gutter line plus the porch columns. The loop pulls people closer to the house than a normal walk does, so the porch detail actually gets seen here. 6. The outside curve: a metal garden arch over a front path at night, dressed down both sides so it reads as a gap in something rather than as a frame, people walking through it, 7.3 ft tall. Over the walk, and dress it with bare twisted branches down both legs rather than anything bought: this theme is a clearing in a wood, not a party. Then hang from the crown, because that is what the arch is for. A lighted hat suspended over the path at head height does what a hat on a stake in the grass cannot, which is float. Tie it by the point so it hangs nose down and can turn in the wind. Keep everything above 6 ft 6 in. and keep the middle of the opening clear. Green light from the far side, aimed back at the road through the arch, so people approaching see the branches in silhouette against it. This one works just as well mirrored to the other side of the walk, so if a tree, a slope or the way you come and go says the far side is better, swap it and swap its partner with it. What matters is that it is beside the path and not standing in it. Shot at dusk with the sky still faintly blue, every lit decoration switched on and brighter than anything else in the frame, warm light spilling onto the lawn. Palette: #5B3A7A, #3FA34D, #1C1A22, #D6A419. Nothing floats; every piece sits on the ground at the stated distance. Scale reference: the front door is 80 inches tall.